Category: News

Collaboration with Jonathan Rose


Danish Disrupted for Decorex International 2019.

Have you ever wondered how creative collaborations come about?

The latest one for myself and Jonty Rose began its journey at DesignJunction in 2018 where we were both exhibiting with Design Nation.

From the start we realised that we shared a goal to create exceptional products for our adventurous client base, and we thought that together we could double the impact of our work.

What do you think?

Danish Disrupted. Jonathan Rose & Angie Parker.Photo: Article Studio

We’ve been working on a project for almost a year, and we can’t wait to introduce the resulting bespoke chairs and stools at Decorex International this October.

Jonathan Rose in his workshop, in Banchory, Scotland.
Angie Parker in her Bristol studio.

My statement vivid colours and exacting weaves fit perfectly into Jonathan’s danish design, in this original pair of functional artworks. They are available in further colour options and fabric designs.

Woven using my signature Krokbragd pattens, these intricate, timeless panels are time consuming to weave, and are frequently exhibited as textile art. (At the time of posting Orange Wave handwoven panel has been selected for the The Royal West of England Academy Annual Open Exhibition).
Don’t expect to see too many of the originals, but browse some of my other handwoven designs here.

We both see this collaboration as an ongoing partnership alongside our individual projects and here are our thoughts on it so far.

Jonty: “One thing that is great for me is the number of people Angie knows who love quality. It has been a delight working with someone with such energy and capability (and not needing me to do any tiresome mansplaining!) I hope we can do more together.”

Angie: “Collaborating with Jonty on this project has really opened my eyes to the potential of our combined skills. Both playing to our strengths, we’ve moved pretty quickly, and have found a way to best show our strongest designs together, whilst maintaining the individual style that made us want to work together in the first place. Jonty is really easy-going, entirely professional and his expertise in managing schedules brought this project in ahead of our initial deadlines” 

We’re really looking forward to chatting to visitors to Decorex International on Stand J 170, 6-9 October, or get in touch if you’d like to discuss this project using my contact page.

DesignJunction 2018

 

Design-Nation is thrilled to be creating a major new showcase for our designer members at DesignJunction, presented in the raw interiors of the Bargehouse at Oxo Tower. 20-23 Sept 2018

Head, hand and heart EUnique, Germany 8-10 June

Design-Nation is proud and delighted to be the 2018 international partner of Eunique. To celebrate this prestigious invitation, Design-Nation will present the exhibition ‘Head, Hand and Heart’ or ‘Design-Nation: Herz, Hand und Verstand’ in a central special exhibition area at Eunique.

How to commission an Angie Parker handwoven rug or textile artwork.

Every commission, by its very nature, is going to be different. And lets face it, that’s part of the reason you’re looking at commissioning and not buying ‘off the peg’ isn’t it? Luckily, it’s just an arrangement between myself and my clients, so we can keep it pretty simple.

Angie Parker Textiles Workshop
Angie Parker  Photo: Alice Hendy Photography

Let me run though things to show you just how simple it can be.

The first step comes from you.

Whether you discover my passion for eye-popping handwoven colour in a contemporary Craft gallery or through the power of the internet, a short enquiry email from you starts the ball rolling. I’ll get back to you to arrange a phone conversation (or more email if you prefer) to establish your thoughts on design, size, colour and budget. I’m easy to chat to and enjoy having these conversations and at this stage, I’m very happy to send you yarn samples, a quote, a time frame and a simple sketch, with absolutely no obligation.

I’ve a huge selection of wool and yarns for furnishings in stock, but if I haven’t got the exact shade you require then I can ask my supplier to custom dye the wool to match an existing colour scheme.

Typical initial conversations have included these questions:

  • “Can you weave ‘that one’ but use orange instead of yellow?” Yes I can.
  • “Can you do one ‘like that’ but longer” Yes, I weave up to 1m width but length can be what ever you wish. I can also join 2 or more rugs to create wider one, but this does impact the price.
  • “Can you do me a round one?” Afraid not (at the moment), sorry )-: (but I can recommend someone who can!)
  • “Can I weave part of it?” Yeah sure. We can arrange this.

Sometimes, I’m able to visit clients in their homes with example rugs & samples to help work through the design options, though I can’t promise that this will always be possible. Photographs are the next best thing so I’ll probably ask you to send over a few shots of your home if you’d like guidance about colours and designs, and together we’ll go through my portfolio to find the styles that you’re drawn to.

Photo: Yeshen Venema

When you’re ready to proceed, I’ll then draw you up a more detailed sketch and give you a clear time frame in return for 50% of the total price.

I can even weave a sample (30x30cm) for a small additional fee.

I then set about weaving your bespoke piece of floor art in my Bristol studio.

I can email photo’s to you if you’d like to see your rugs progress, or you might just choose to have a surprise when it’s complete.

Once off the loom I then finish the piece by hand and stitch on a discreet label before carefully packing.

Delivery is then arranged, usually with my favourite specialist art handlers, upon final payment.

FRYKTLOS (FEARLESS).
PHOTOGRAPHER: YESHEN VENEMA

If, for any reason you’re not entirely over the moon with your rug let me know right away. I always build up a good relationships with my clients, so they know they can contact me with any concerns, safe in the knowledge that I will do my utmost to rectify. (Disclaimer-I’ve not actually had an unhappy client yet, so I’m thinking on my feet with this one).

Finally, each commission is a special to me as I’ve been assured my rugs are to my customers. This really is a mutually beneficial way of doing things.

You get a bespoke, quality handcrafted piece of floor art which brings a burst of uplifting colour (or monochrome design) to your home. An expertly woven heirloom that lifts your spirits and brightens your day in the way that only handmade items do.

And me? Well, your investment means that I can continue to grow my business, fulfilling the dream I had at college over 20 years ago, and much more.

And you thought you were ‘just’ commissioning a rug!

If you like what you’ve read but aren’t ready to commission a piece, why not follow me on Instagram or Twitter so that you’d don’t have to worry about remembering my name in five years when you’re leaving work and your collegues want to get something special for you? Better still, sign up to my mailing list  here.

*I’m working on a more comprehensive FAQ’s page which will be coming to my website soon.

Wool Fusion- Craft and Commercial Design.

In 2017 I collaborated with Brintons Carpets to create an Axminster Stair carpet for Wool Fusion; the project by Campaign for Wool for Wool Week.

If you prefer to watch rather than read, there’s a video about this collaboration here,  from the fab team at Cube Video.

The stair carpet was commissioned for Wool Fusion, a showcase of UK products which best represents the beauty and versatility of British wool. This is the second year I’ve been involved in this Campaign for Wool initiative, spearheaded by HRH The Prince of Wales’ and this year curated by Arabella McNie.

A unanimous decision to use design elements from my handwoven Fryklos rug came out of a productive initial meeting with the Brintons team.

Fryklos Handwoven Krokbargd Rug. Photo by Yeshen Venema

The original Fryktlos rug was hand woven by myself,  in my Bristol studio. The traditional Scandinavian rug weaving technique, Krokbragd, was used for it’s versatility and scope for playing with colour.

In initial meetings I gleaned as much information as I could from the Brintons team. The processes, potential and limitations of using custom Axeminster QuickWeave were explored and I’m thankful to Jodie Hatton for generously importing so much of her experience and knowledge in a carpet masterclass. We didn’t have long to turn this project around, so the Quickweave option was fantastic as we could meet the deadline and adapt the design to fit the process accordingly.

There were certain restrictions as a result of working to such a tight schedule, especially with the colour palette available. However, it didn’t do me any harm to reign in my typical gaudy colour clashes and am quite proud that I’ve designed something without a burst of acid yellow.

It was also a refreshing experience for me to be more disciplined when drawing up the designs, as I usually prefer to design at the loom rather than a desk.

Initial sketches on graph paper were quickly converted onto the software by Jodie with a small selection of the designs then sent off for sampling on the Quickweave looms.

I wanted to ensure that the carpet design retained the niche qualities of my handwoven rugs, and by using a pattern that made each step of the staircase slightly different, I think we succeeded in this.

A selection of sketches were woven into samples which helped to inform the final decision.

The finished carpet was installed at Wool Fusion by Arabella McNie and the team and the event was open to the public for Wool Week from the 7th-14th October.

I’d like to take this opportunity to thank Bridgette Kelly and Campaign for Wool for facilitating this collaborative opportunity, and especially all the Brintons team for making the whole process a joy.

To see more images of the Frytklos Stair Carpet check out my Instagram 

Links:

Brintons Carpets

Campaign for Wool

Cube Video

Yeshen Venema Photography