It’s not everyday that I see one of my woven designs on the cover of a Magazine, and it’s it quite fitting that The Bristol Blanket has made it’s editorial debut in this beautiful October edition of The Bristol Magazine.
Five feel good things I’d like you to know about The Bristol Blanket
The design is inspired by Bristol’s colourful houses, which brightened up our daily walks during lock down in the Spring. Read more here
It is woven in partnership with Bristol Weaving Mill. A renowned micro mill in the heart of my home city of Bristol which specialises in innovative design. Read more here
The optimistic colours in this sumptuous 100% lambswool blanket are designed to lift your spirits and bring warmth and joy to your home, and it is so soft. (I provide samples for those who prefer to feel the quality of a textile product before they invest. Drop me a line if you’d like to receive one).
The design reflects the connections with our neighbours and local community which for many were strengthened during lock down. As an artist I wanted to design a collection that echoed the special bonds that formed from the shared experiences, in the hope that we continue to strengthen them and support each other.
For every blanket sold, 10% of the profit will go to MIND- the mental health charity.
I’m delighted to launch The Bristol Blanket ahead of schedule and hope I can help to bring warmth and joy to more people this winter. I get that most of us like to know just how soft a blanket is before buying so get in touch here if you’d like me to pop a sample of the cloth in the post. Drop me a line if you have any questions and head over to my online shop to check out this uplifting new design from my Bristol studio.
Not only that, but a weaving mill that specialises in niche cloth production and that is a short walk from the City centre, (and conveniently for me, a 20 minutes walk from my studio).
I first heard about it when it was still a concept in 2014. I was a delegate at the ‘Loom’-A Textile Seminar, as part of the Stroud International textiles program. Chaired by Helen Foot, the seminar brought together a panel of contemporary weavers to discuss their woven production methods and how it affects their practices. The audience was a who’s who of established and emerging weavers, and the impressive lineup of speakers included Kirsty McDougall of Dashing Tweeds, and Franki Brewer, and Juliet Bailey, from renowned textile design studio Dash and Miller amongst others.
This was the first time I heard Franki and Juliet, the founders of Bristol Weaving Mill (BWM), talk about their dream and vision of creating a space where innovative fabric design could embrace traditional manufacturing processes. The result is a micro-mill based in the heart of Bristol which opened its shutters in 2015 and has since gone on to create some of the most exclusive, bespoke, and experimental fabrics imaginable for the international fashion and interior industries.
The first power loom in Bristol for 100 years
With such an amazing resource right on my doorstep, it’s no surprise that I’ve been waiting for the perfect opportunity to work with this dynamic team since setting up my business. What I didn’t expect was that the perfect project would come about because of COVID-19. (More about that here).
Creating my new product with BWM during this global pandemic was remarkably straightforward. In part because of the location, but mainly because they are such a bloomin’ fabulously lovely, talented, and professional team. With safety at the forefront of our minds, most of the initial production planning was carried out via email, phone and zoom, as it would have been if I lived further away. But one huge difference was the rather happy coincidence that Rowenna, the Product Development, and Sales Manager, lives four minutes walk from my front door. Having the opportunity to meet face to face on those sweltering sunny days, even if it was in the street, was hugely beneficial when working through the samples and fine-tuning how to translate my handwoven designs to a power loom. As we didn’t have to rely on the postal service, it saved us days. I think we’ll all agree that as much as we’ve embraced the benefits of technology, nothing beats a real-life chat.
Inspiration for the new design was found in the colourful houses of Bristol which we saw on our daily walks during the lockdown.
I’m delighted to reveal the new collection and The Bristol Blanket woven in partnership with the BWM. The design for this luxurious and soft blanket is inspired by the colourful houses of Bristol which became a familiar and uplifting backdrop to our daily walks during the lockdown. (More about the inspiration here). The micro collection of handwoven rugs, woven art panels, and samples created in my workshop have informed the final design, and I love that we have a product that is typically Angie Parker, and typically Bristol! Head over to my online shop to discover more.
Angie Parker is a weaver, designer, and colourist, based at BV Studios in Bedminster. She trained in rug weaving in the 1990s and started her textile practice 6 years ago. Her latest collection of handwoven designs and small batch-produced textiles has been launched ahead of schedule in September 2020. Subscribers to her newsletter are the first to see new designs and also get access to special offers and exhibition news. Sign up here to keep in the loop.
In the Spring of 2020, like many people, I reshuffled my life and business to fit with the changing shape of living through a pandemic. Planned teaching and usual selling opportunities had slipped away and I had to find a different way to sustain my business and reach my customers, (as well as the added bonus of being a less than adequate home school teacher to our three children).
It was an interesting and sometimes challenging transition, but one that I’m thankful for, especially in light of so many livelihoods that simply don’t have the option of adapting to fit new regulations. And out of this shake-up came the opportunity to action a plan that had been waiting in the wings for the right moment. Enter stage right: The Bristol Blanket
The decision to produce the blanket with Bristol Weaving Mill wasn’t really a decision at all on my part. As I saw my handwoven designs, inspired by the Bristol houses, develop on my sampling loom and in my sketchbooks, it became obvious who I had to work with on this project. Click on the links to read more about the production journey and the inspiration in these additional blog posts.
Bristol Weaving Mill.
I’ve continued to weave a limited number of commissioned rugs and art panels throughout the year and was also able to weave the capsule collection, pictured below, to support the new blanket design. In the midst of so much uncertainty in the news, the sessions at the loom were refreshingly grounding and I never take for granted that half my job is to focus on the calming rhythmic process of weaving. That said, it’s been quite full-on, and seeing this project come together during the photo-shoot with the superb Article Studio was quite a momentous day after months of planning.
The Bristol Blanket Collection. Photo: Article Studio Furniture: Timberwoolf
Five feel-good things I’d like you to know about The Bristol Blanket
The design is inspired by Bristol’s colourful houses, which brightened up our daily walks during the lockdown in the Spring. Read more here
It is woven in partnership with Bristol Weaving Mill. A renowned micro mill in the heart of my home city of Bristol, specialising n innovative design. Read more here
The optimistic colours in this sumptuous 100% lambswool blanket are designed to lift your spirits and bring warmth and joy to your home, and it is so soft. (I provide samples for those who prefer to feel the quality of a textile product before they invest. Drop me a line if you’d like to receive one).
The design reflects the connections with our neighbours and local community which for many were strengthened during the lockdown. As an artist, I wanted to design a collection that echoed the special bonds that formed from the shared experiences, in the hope that we continue to strengthen them and support each other.
For every blanket sold, 10% of the profit will go to MIND- the mental health charity.
I’m delighted to launch The Bristol Blanket ahead of schedule and hope I can help to bring warmth and joy to more people this winter. Drop me a line if you have any questions and head over to my online shop to check out this uplifting new design from my Bristol studio.
Angie Parker is a weaver, designer, and colourist, based at BV Studios in Bedminster. She trained in rug weaving in the 1990s and started her textile practice 6 years ago. Her latest collection of handwoven designs and small batch-produced textiles has been launched ahead of schedule in September 2020. Subscribers to her newsletter are the first to see new designs and also get access to special offers and exhibition news. Sign up here to keep in the loop.
A COLLABORATION AT DECOREX INTERNATIONAL OCTOBER 2019 Angie Parker and Jonathan Rose are delighted to present a new take on Scandinavian design at this year’s Decorex International.
Danish Disrupted: A collaborative project of limited edition chairs, designed by Jonathan Rose, with original Krokbargd handwoven textile upholstery by Angie Parker. Angie’s vivid colours and exacting weaves fit perfectly into Jonathan’s Danish design. All framed in black wood, with further colour options and fabric designs available to order.
Bespoke Krokbragd Rugs: Angie’s signature handwoven rugs take the traditional Scandinavian weaving technique to a new level with her skill twists on this time honoured technique, giving it a contemporary look.
We both look forward to welcoming you to the Design Nation stand J170, at Decorex, Olympia, 6-9 October 2019.
It’s not hard to understand why colour lovers enjoy living in Bristol. Is there a more colourful city anywhere else in the UK?
Since the mid-1960s, there’s been a growing number of brightly painted houses lighting up the urban landscape, something which has grown in popularity in recent years. I’m sure I’m not the only one who enjoyed a new appreciation for these uplifting views during the months of lockdown.
When the bursts of colour from our daily walks started to find their way into my handwoven designs, I decided to do some research into the history of these picturesque houses. To help with this I approached architects Stride Treglown and Jess Siggers, as I was already aware that in 2017 they launched the Bristol Colour Capital initiative, to promote Bristol as the most colourful city in the UK. They collated and presented research from residents at a seminar, where the scheme to link re-painting homes with utilising home energy improvement grants was discussed. Head of sustainability, Rob Delius, kindly shared these findings to enable me to continue the colour part of the conversation.
How did it all begin?
Rumour has it that George Ferguson, (architect, entrepreneur, and politician), may have been the first to paint his newly acquired home in Cliftonwood. I caught up with George recently and established that he did indeed paint his dull grey house a terracotta red in 1966, using Sandtex masonry paint. (If you know any from before this date please do let me know). His pal up the road painted his a rich blue shade at the same time, and this is how one of the most colourful and photogenic streets in the city started.
Ambrose Road, Cliftonwood. Where it all started?
It was interesting to discover from George that these terraces were previously earmarked for demolition, with the proposal of three blocks of flats to replace them. This u-turn in planning enabled savvy investors to buy the run-down properties cheaply, and it gave them the opportunity to make their mark on the city. The views of these houses from the docks are almost as photographed as the suspension bridge. George cites the influence of 1960’s psychedelia, Glastonbury, and the general feeling of freedom at the time for his, and his friend’s decision to paint the depressing grey facing on their homes. And with so many of Bristol’s terraced houses being rendered, it’s easy to see how this idea gathered momentum.
Another rumour is that this trend started in Totterdown, where a local decorator offered cheap house painting to make use of the free coloured paints he’d acquired. The stunning aerial photo by Josh Perrett (below) shows that the painters have been pretty busy since these first few daring homeowners started the ball rolling. I’d really like to know more about these houses, so if you know any other interesting stories please do drop me a line and I can update things.
Obviously, painted houses aren’t exclusive to Bristol, but the difference in this city is that the trend was led by the residents, rather than artist initiatives or planners. That said, Bristol is home to thousands of artists and creatives, so it’s hardly a surprise the residents here take every opportunity to express themselves through bold combinations of house colour and front doors. It seems that once one person takes the plunge, the rest of the street gradually follows.
Many locals agree that the hilly landscape in the city lends itself to the aesthetic, with one respondent to the Stride Treglown (ST) survey pointing out how much they love spotting their home from the opposite side of the city. Over the past decade, things have gathered pace, with reasons including a love of colour, the influence of travel, and simply wanting to join in with what many see as ‘a Bristol thing’. Colour choices are very personal, but according to ST report, most respondents were considerate of their neighbours when selecting colours that compliment the rest of their street.
I’ve yet to have a conversation with anyone who has a negative reaction to the houses, and everyone I’ve asked finds the views uplifting and cheerful. And as a designer, I feel incredibly fortunate to have such joyful and inspiring blocks of colour to feast my eyes on, every time I walk out of my house.
There is so much more that I want to find out, and I see this blog post as the start of an ongoing dialogue. Does living in a colourful neighbourhood make people happier? Can colour really improve health and well-being? Does Bristol have more coloured houses than any other UK City?
This final question led to a spin-off blog post investigating colourful neighbourhoods around the globe which you can read here.
A handwoven rug in the studio.
It’s no surprise that designing a new collection of textiles based on these houses was a joyful experience for me, with the biggest challenge being the limit on the number of colours I could use when working with my local mill. The final designs are intended to bring uplifting pops of colour into the homes of those who love these inspiring views as much as I do, and I’m delighted to share them with you ahead of schedule. Find out more here, and head to my online shop to check out the new collection.
Angie Parker is a weaver, designer, and colourist, based at BV Studios in Bedminster. She trained in rug weaving in the 1990s and started her textile practice in 2014. Her latest collection of handwoven designs and small-batch-produced textiles are available in her online shop. Subscribers to her newsletter are the first to see new designs and also get access to special offers and exhibition news. Sign up here to keep in the loop.
